Martin Johnson Heade
American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."

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Martin Johnson Heade Rio de Janeiro Bay oil painting


Rio de Janeiro Bay

Painting ID::  4121
Martin Johnson Heade
Rio de Janeiro Bay
   
   
     

Martin Johnson Heade The Stranded Boat oil painting


The Stranded Boat

Painting ID::  4122
Martin Johnson Heade
The Stranded Boat
   
   
     

Martin Johnson Heade Vew from Fern-Tree Walk,Jamaica oil painting


Vew from Fern-Tree Walk,Jamaica
mk48 1887 Oil on canvas 53 x90in
Painting ID::  26258
Martin Johnson Heade
Vew from Fern-Tree Walk,Jamaica
mk48 1887 Oil on canvas 53 x90in
   
   
     

Martin Johnson Heade Magnolia oil painting


Magnolia
Reproductions.
Painting ID::  26292
Martin Johnson Heade
Magnolia
Reproductions.
   
   
     

Martin Johnson Heade L'approche de l'orage oil painting


L'approche de l'orage
mk75 1859 Huile sur toile 71.1x111.8cm
Painting ID::  31690
Martin Johnson Heade
L'approche de l'orage
mk75 1859 Huile sur toile 71.1x111.8cm
   
   
     

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     Martin Johnson Heade
     American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."

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